Vito Lo Re

Vito Lo Re
Biography

Vito Lo Re is an Italian conductor and film composer who wrote music for L’uomo del labirinto (2019), Lacrime di San Lorenzo (2015), La ragazza nella nebbia (2017).

Born in Milan, he studied composition with Silvia Bianchera and Bruno Bettinelli, classical guitar with Rocco Peruggini, choral music and choir conducting with Franco Monego, graduating from the “G. Verdi” Conservatory of Music in Milan. He studied Orchestral Conducting with Massimiliano Caldi, Erwin Acel, Dejan Pavlov, Bruno Rigacci, Armando Krieger and Aldo Sisillo. He is also a graduate in Political Science.
He switches from orchestral conducting to composition, writing soundtracks for various professional theatrical companies in 15 different plays ranging from great classics to unabridged workpieces. He has also composed Chamber and Symphonic music, writing more than 90 pieces played in important Italian theatres and abroad, most of them dealing with classical guitar and devoted to Lorenzo Micheli.
Vito Lo ReHe made his debut as an opera conductor in 1997 with “La serva padrona” and “Livietta e Tracollo” (Pergolesi), followed by “Don Pasquale”, “Lucrezia Borgia”, “Lucia di Lammermoor” and “L’elisir d’amore” (Donizetti), “Il barbiere di Siviglia”, “Il turco in Italia”, “L’Italiana in Algeri” and “La scala di seta” (Rossini), “La traviata”, “Nabucco”, “Aida”, “Il trovatore” and “Rigoletto” (Verdi), “Tosca”, “Madama Butterfly”, “Gianni Schicchi”, “Turandot” and “La Bohème” (Puccini), “Cavalleria Rusticana” and “Pinotta” (Mascagni), “Pagliacci” (Leoncavallo), “Norma” (Bellini), “Carmen” (Bizet), “Don Giovanni” and “Le nozze di Figaro” (Mozart) and several operettas, including “The merry widow” (Lehar) and “Sì” (Mascagni) in many theatres and festivals.

Bio from http://www.vitolore.it/